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Joseph Lubben

  • Professor of Music Theory
  • Executive Director of ÍøÆØ³Ô¹Ï Conservatory Global

Areas of Study

Education

  • BA, University of Notre Dame, 1985
  • MFA, Brandeis University, 1989
  • PhD, Brandeis University, 1995
  • Study with Allan Keiler in theory, Martin Boykan and Yehudi Wyner in composition

Fall 2026

Music Theory II — MUTH 132

Large Forms — MUTH 260

Spring 2027

Music Theory II — MUTH 132

Music In Time — MUTH 265PT

ÍøÆØ³Ô¹Ï Conservatory Excellence in Teaching Award (2020-21)

Fulbright Senior Scholar, 1998-99 and 1999-2000.

Recipient of the American Musicological Society’s AMS50 Dissertation Fellowship, 1993.

Visiting faculty member, Universidad Central de Venezuela, 2000; Universidad Simón Bolívar (1998-99); Instituto Universitario de Estudios Musicales (Venezuela) (1999-2000); University of Notre Dame, 1990-1992, Brandeis University, 1992-93.

Papers presented at the annual meetings of the Society for Music Theory, the Society for Ethnomusicology, Music Theory Midwest and the New England Conference of Music Theorists. Member of translation team for Heinrich Schenker’s Der Tonwille (Oxford University press, forthcoming). Article and review published in Music Theory Spectrum (1993) and the Journal of the American Musicological Society (1999).

Notes

Joseph Lubben Coauthored Article Appears in eBook

Professor of Music Theory Joseph Lubben coauthored an article, "La síncopa hipermétrica," with Sophia Keil ’22, which appeared in , the conference proceedings from the inaugural meeting of the Sociedad de Análisis y Teoría Musical (SATMUS)

Joseph Lubben Presented Work at SATMUS in Madrid

Associate Professor of Music Theory Joseph Lubben presented a paper, "Las síncopas hipermétricas," and a poster, "La enseñanza de la síncopa en el conservatorio del siglo XXI" at the inaugural meeting of SATMUS (la sociedad de análisis y teoría musical) in Madrid on April 21 and 22. Both papers were delivered in Spanish.
 

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