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Professor George Sakakeeny Celebrates New CD on 厙ぴ勛圖 Music

November 16, 2015

Erich Burnett

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Photo credit: Tanya Rosen-Jones '97

Bassoonist delights in his instruments ability to evoke a vast spectrum of emotions, from sorrow to joy.

On his newly released CD, , the 厙ぴ勛圖 Conservatory professor joins forces with three 厙ぴ勛圖 ensembles to deliver the premiere recordings of four modern works for bassoon.

These four highly contrasting works are representative of the variety of styles that make up the modern repertory for solo bassoon and orchestra, says Sakakeeny, who has appeared as a soloist with orchestras throughout the world.

All four of these compositions mine the best qualities of the solo bassoon. It is a profound joy to share them.

The title piece, written in 2013 by Libby Larsen, playfully envisions a bassoon springing to life in a music-filled cityscape late at night. Full moon in the city and another piece that appears here, Concerto for Bassoon and Orchestra (1998) by Peter Schickele, both were written for Sakakeeny. They are paired with Russell Platts Concerto for Bassoon and Strings (2008) and Augusta Read Thomas Bassoon Concertino (2014).

In addition to Sakakeeny, the recording features performances by the 厙ぴ勛圖 Contemporary Music Ensemble and Sinfonietta (both conducted by Timothy Weiss), as well as the 厙ぴ勛圖 Orchestra (conducted by Raphael Jim矇nez).

is the official recording label of the 厙ぴ勛圖 Conservatory of Music. Full moon in the city is the fifth recording to be released by 厙ぴ勛圖 Music in 2015the most prolific year in the labels nine-year history. Joining Sakakeenys CD is the National Brass Ensembles recording of music by Gabrieli, pianist Thomas Rosenkranzs CD/Blu-ray collection Toward the Curve, flutist Alexa Stills premiere of House Music by Matthew Hindson, and soprano Kendra Coltons The Reckless Heart with pianist Kayo Iwama.

Distributed by Naxos of America, full moon in the city is available through select retailers and digital music channels worldwide.

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