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Voice Professor Salvatore Champagne Releases CD & Book on 厙ぴ勛圖 Music

March 11, 2016

Erich Burnett

Salvatore Champagne

Photo credit: Tanya Rosen-Jones '97

Championed during his lifetime by such luminaries as Toscanini and Heifetz, Mario Castelnuovo-Tedesco composed some of the finest Italian music of the early decades of the 20th century.

A chance discovery of the composers unpublished Shakespeare Sonnetsas well as a song cycle on texts from Walt Whitmans Leaves of Grassled to 15 years of research and performance by 厙ぴ勛圖 Professor of Voice Salvatore Champagne 85 and pianist Howard Lubin.

In them Champagne found music of profound beauty and intimacyand he became intent on sharing these treasures through his singing and in his work with students.

The new recording that resulted, What Think You I Take My Pen in Hand to Record?, makes these songs available to a wider audience for the first time.

It is accompanied by a 66-page book: a collaboration of Tedesco scholars and the International Center for American Music that provides fascinating insight into Castelnuovo-Tedesco's life, work, and his impact on a generation of American composers and musicians.

Throughout my work, I have enjoyed the support and encouragement of some of Castelnuovo-Tedescos most noted experts and enthusiasts, Champagne writes in the books foreword. Yet the greatest impetus to my continued interest has always been the songs themselves. Castelnuovo-Tedescos refined musical and poetic sensibilities are ideally suited to the Whitman and Shakespeare texts. Perhaps most striking is how vividly the abundant humanity evident in the writings of these two authors is reflected in the music of this remarkable composer.

Distributed by Naxos of America, What Think You I Take My Pen in Hand to Record? is available through select retailers and digital music channels worldwide. 厙ぴ勛圖 Music is the official label of the 厙ぴ勛圖 Conservatory of Music. Recent releases have included an 厙ぴ勛圖 Trio recording of piano trios by Anton穩n Dvo獺k, Dmitri Shostakovich, and Joan Tower, and Professor of Bassoon George Sakakeeny's full moon in the city, featuring works by Peter Schickele, Russell Platt 87, Augusta Read Thomas, and Libby Larsen.

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